All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 02:26 pm

Check out this book: Cocaine and Carnivores. It is about a drug addict that discovers vampires are r

Posted by /u/Big-Neighborhood-613

Cocaine and Carnivores is a dark, twisted, and hilariously ride that blends horror, comedy, and deep social commentary. The story of Eddie Red, a drug addict turned supernatural hunter, is both outrageous and thought provoking. Narrated by his dead best friend, this novel takes you on a wild journey through addiction, vampirism, and the often absurd realities of life and death. With its edgy humor, pop culture references, and deeper exploration of hunger both literal and metaphorical this book will leave you questioning the true cost of craving more. A must read for fans of the unconventional and the bold.

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tafadhali: ([art] intricate rituals)
Tafadhali ([personal profile] tafadhali) wrote in [community profile] vidding2025-07-12 09:29 am

Two more new BtVS vids!

[personal profile] periru3 and I have posted two more vids in our ongoing vid album Jagged Little Slayer, a mashup of Buffy the Vampire Slayer and Alanis Morissette:


Title:
 You Oughta Know
Character/Pairing: Buffy/Faith, S4
Summary: I'm not gonna fade as soon as you close your eyes.

AO3 | DWTumblr


Title:
 Ironic
Character/Pairing: Minor characters suffering mishaps
Summary: Isn't it ironic, dontcha think?

AO3
| DW | Tumblr

penaltywaltz: (I'm A Mod)
penaltywaltz ([personal profile] penaltywaltz) wrote in [community profile] wipbigbang2025-07-12 06:11 am

WIP Big Bang/ WIP Reverse Bang 2025 - Snippets Submissions Are Closed

I have to make a few unexpected edits, but the final counts for submissions are 219 fics to WIPBB and 45 art projects to WIPRB! It looks like we're going to have plenty for artists and writers to choose from.

Claiming will go live on July 17th, so keep a lookout to the pinned post for links to the summaries! Also, please remember to check the newly updated schedule for the start and end dates of each stage of the bangs.
All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 12:03 pm

A movie like Rosemary's Baby in 1968 is insane

Posted by /u/Dramoinehead

After a binge of recent horror movies that seem repetitive after one point, I'm on a quest to rediscover the cult classic horror movies and I've heard of RB but didn't get around to watching it until today.

And oh my god?? The film was just so way ahead of it's time. No jumpscares, no scratching or playing with the darkness and shadows, none of that nonsense. Just making you feel sheer terror and helplessness type of horror.

The amount of times this movie made me wanna scream at rosemary is another thing altogether but god, this was a masterclass in horror and gaslighting. For a movie that came close to 60 years ago, I can't believe they ventured into subjects that even today aren't captured perfectly in movies.

And now that I've seen it I can see the impact it's had on so many movies, especially Annabelle? Like tell me the apartment layout of both these movies aren't similar

If there's anyone who hasn't watched it, watch it rn. It's worth the hype and more

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TorrentFreak ([syndicated profile] torrentfreak_feed) wrote2025-07-12 10:57 am

Google Says SCOTUS Decision in Cox vs. Sony Will Impact Publishers’ Lawsuit

Posted by Andy Maxwell

supremecourtIn a lawsuit filed at a New York court in June 2024, publishers including Cengage Learning, Macmillan Learning, Elsevier, and McGraw Hill, bemoaned Google’s ‘systemic and pervasive advertising’ of infringing copies of their copyrighted textbooks.

The complaint alleged that Google Shopping ads placed by third parties used unauthorized images of the publishers’ genuine textbooks to promote sales of pirated copies; a ‘bait-and-switch’ by Google, the publishers said.

Further allegations of infringement concerned Google search results that allegedly returned piracy-heavy results in response to searches for the publishers’ products, rendering the original content more difficult to find. The publishers also claimed that takedown notices sent to Google had little effect. Notifications identifying alleged repeat infringers didn’t result in account suspensions either.

Dismissal of Vicarious Liability Claim

In a recent motion to dismiss, Google successfully argued that the publishers’ vicarious liability claim should be dismissed due to the absence of two key elements; the right and ability to supervise the infringing conduct and a direct financial interest in the same.

Since the infringing conduct took place on third party sites, the court found that Google lacked the required ability to supervise or control, so couldn’t be held vicariously liable. The publishers’ contributory copyright infringement claim wasn’t part of Google’s motion to dismiss so that remained outstanding.

Answer to First Amended Complaint

On July 2, Google filed a comprehensive answer to the publishers’ First Amended Complaint. Addressing the contributory infringement claim, Google accepts that the plaintiffs sent notices identifying URLs that they claimed infringed their copyrights in digital works.

However, Google notes that its Shopping platform is primarily used for legal purposes, and it takes substantial steps to combat infringement, including enforcing its Terms of Service and providing the means for rightsholders to report infringing content.

The system may not be perfect but, according to Google, perfection isn’t the required standard when combating infringement. Equally, mere knowledge of abuse does not render Google a contributory infringer or liable for the actions of a minority of users who abuse Google’s products for nefarious purposes.

“Were it otherwise, countless internet platforms and product manufacturers would essentially be held strictly liable simply for offering their products to users,” Google notes.

“The facts in this case will ultimately demonstrate that Plaintiffs’ claims are meritless.”

Motion for Stay, Pending Supreme Court Decision

In a letter to the court dated July 10, counsel for Google requests a stay in the current case.

“We respectfully request that the Court stay this case pending the U.S. Supreme Court’s decision in Cox Communications, Inc. v. Sony Music Entertainment….which will consider the standards for (i) contributory copyright infringement and (ii) willfulness under 17 U.S.C. § 504(c),” the letter reads.

As reported last month, Cox Communications successfully petitioned the Supreme Court to review a Fourth Circuit ruling that held the ISP contributorily liable for the actions of subscribers who engaged in piracy.

Labels, including Sony and Universal, had previously secured a $1 billion verdict from a jury in Virginia. This verdict was based on Cox’s knowledge of infringement, material contribution, and a $150,000 maximum statutory damages award per work for ‘willful infringement.

Given the clear similarities to the Cox case pending at the Supreme Court, Google notes that a stay in the publishers’ lawsuit is appropriate.

Core Claims of Willful Contributory Copyright Infringement

Google believes that the Supreme Court’s decision will not only have an impact on the publishers’ lawsuit, it could potentially determine the outcome.

“The core of Plaintiffs’ case is their claim that Google is a willful contributory copyright infringer,” the motion for stay continues.

“Given the centrality of the contributory infringement claim and Plaintiffs’ intent to seek enhanced willfulness damages, the Supreme Court’s decision in Cox will have a significant, and potentially dispositive, impact on the course of this litigation.”

Identical Theory of Liability

Google goes on to cite a petition by the U.S. Solicitor General which overwhelmingly sided with Cox while urging the Supreme Court to take on the case. Google says the theory of liability in Cox is identical to the theory presented by the publishers.

“Plaintiffs’ theory of Google’s liability is identical to the plaintiffs’ theory in Cox: Plaintiffs say Google is liable for willful contributory copyright infringement because it continued to provide merchants with access to Google’s Shopping platform after receiving notices of infringement,” counsel for Google notes.

“If the Supreme Court ultimately agrees with the United States and rejects the Fourth Circuit’s rule on these issues, that would undermine—likely fatally—Plaintiffs’ theories of contributory liability and willfulness here. But regardless of what happens, the Supreme Court’s eventual decision will shape the key issues presented in this case, including questions related to the scope of relevant fact and expert discovery.”

Google believes that oral argument in the Cox matter “could be heard as early as the November sitting, with a possible decision a few months later.”

Describing a few months delay as a modest postponement that could even offer “significant economies” in the current case, Google says that the plaintiffs will not face “any meaningful prejudice” from a short delay.

Google’s Motion for Stay Pending Supreme Court’s Decision in Cox, is available here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 11:26 am

How would you rank the nightmare on elm street movies ?

Posted by /u/Alcatrazepam

I apologize if it is an overdone conversation here at this point. I just have somewhat of a hard time ranking them as my opinion can vary depending on what mood I’m in at the time. If I’m in a thoughtful mood, new nightmare or just a need for a laugh or decompress 3-6, and fvj—nostalgia/classic enjoyment, the original

Anyway here is how I would rank them at this moment in time, look forward to hearing your opinions/arguments etc and hope it can be kept in good faith

From best to worst

-1- original nightmare on elm street I imagine most people would agree on this but for me it is virtually tied with

-2-new nightmare. Together each movie is like part of a bookend/companion piece but I really love this one. That said the original has just a little more replay value for me

3-freddys revenge/-i know 3 should be 3/dream warriors but I just love how menacing Freddy is and find the themes of repressed sexuality really interesting. I realize this is not a popular opinion

4-dream warriors. Classic and so much fun. Great to see both Wes and Heather return . Also really cool to see the beginning works of the man who would later go on to evolve some of these cinematic ideas and fx in The Mask with Jim Carrey

5-dream master -a nice continuation but a step down

6-fvj -a lot of nostalgic value and fun Easter eggs

-7/8-dream child and Freddy’s dead are probably tied I don’t revisit either very often but both have some entertaining ideas and visuals.

9-remake —really liked Jackie earl’s performance but overall felt like some of the greatest wastes of potential I’ve ever seen. Some really great ideas that just never land. I assumed I was biased years after first seeing and not liking it so have revisited several times to see if my opinion had changed /grown. I’ve only found it reinforced

Again, curious to hear any thoughts. Thanks

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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 09:15 am

Year 10

Posted by /u/Toots_Magee_

Randomly checked this one out and I HIGHLY recommend it. It’s a post-apocalyptic, woodsy thriller that follows a man and his and his struggle against a barbaric, cannibalistic group to survive.

Without any spoilers, just to preface: there is no dialog but I found that this cinematic approach actually enhanced the suspense and build up. Don’t let the lack of dialog deter you!

I went in blind on this film and really enjoyed it. It had me rooting for the protagonist and ended with a very satisfying finale.

If you enjoy a survival, suspenseful, woodsy, post apocalyptic setting, I highly recommend checking this out. The situations are “realistic” as survival and defense tactics go, and I found myself thinking “what would I do?” as the movie progressed.

I’d never heard of this movie or seen reviews on it so I wanted to share.

Anyone else enjoyed this one? Let me know!

submitted by /u/Toots_Magee_
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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 08:46 am

Horror Movies with Real-World Inspirations?

Posted by /u/blistboy

I'm looking for suggestions for horror movies (thrillers, slashers, supernatural, etc.) that are loosely inspired by and/or fictionalize real-world events.

I'm looking to steer away from true-crime reenactments that dramatize real crimes exactly (specifically those that use real names); for example Henry: Portrait of a Serial Killer (1986), Monster (2003), The Girl Next Door (2007), or Zodiac (2007), while excellent films, do not mask their depictions of sensationalized "true crime" violence in the ways I'm looking for.

I am looking more for suggestions about real-life events that inspired storytellers, and were then further fictionalized, or otherwise transposed, for dramatic purposes. Even if just one specific scene is taken from some kind of reality, please give me your suggestions for other horror films that mined real world events for their fictional horror narratives. Here's the list I've complied so far:

REAL KILLERS:

  • The Lodger: A Story of the London Fog (1927) was inspired by Jack the Ripper.
  • M (1931) the character played by Peter Lorre has many similarities to Peter Kürten, known as "The Vampire of Düsseldorf" and "the Düsseldorf Monster"( though director Fritz Lang denied this claim, likely for political reasons).
  • Norman Bates in Psycho (1960), Leatherface in Texas Chainsaw Massacre (1974), and Buffalo Bill in Silence of the Lambs (1991) -- though Bill also takes cues from Ted Bundy and Gary Heidnik -- are all famously based on the exploits of Ed Gein.
  • Halloween (1978) and its iconic killer, Michael Myers, as well as When A Stranger Calls (1979), were inspired by the urban legend about a babysitter terrorized by phone calls, which was likely inspired by the unsolved murder in 1950 of Janett Christman, a teenage babysitter.
  • True Romance (1993) and Natural Born Killers (1994) are often linked to the real-life crimes of Charles Starkweather and Caril Ann Fugate.
  • Scream (1996) is directly inspired by the real series of murders committed, "the Gainesville Ripper", Danny Rolling (a serial killer who murdered five college students in Gainesville, Florida over four days in August 1990), and Barbara Walters' news coverage of the event.
  • The Town That Dreaded Sundown (1976 & 2014) was inspired by Texarkana Moonlight Murders, a series of unsolved attacks on couples in lovers' lanes in 1946, which also likely inspired the urban legend of "the hook" -- that legend was then shoehorned into the I Know What You Did Last Summer (1997) script, itself based on a (rather lackluster) young adult mystery novel -- which was, inspired by a newspaper story about a real hit-and-run accident.
  • Ravenous (1999) is loosely inspired by the survival cannibalism of the The Donner Party, a group of American pioneers who became stranded in the Sierra Nevada mountains during the winter of 1846, and Alfred Packer, a prospector who murdered and cannibalized his companions during an expedition.
  • Hostel (2005) Director Eli Roth developed the concept after learning about a disturbing (likely fictional) "murder vacation" website where people could pay to have someone killed.
  • Wolf Creek (2005) was primarily inspired by two major events: the murders committed by serial killer Ivan Milat and the 2001 abduction and assault of Peter Falconio and Joanne Lees by Bradley John Murdoch.
  • The Strangers (2008) was loosely inspired by the Manson Family murders, as well as various break-ins in the director's childhood neighborhood.

ANIMALS:

  • The Birds (1963) was inspired by events in 1961, when hoards of disoriented seabirds frazzled communities in the Monterey Bay area.

SHARKS:

  • Jaws (1975) was loosely based on the real life New Jersey shark attacks of 1916.
  • Open Water (2003) is loosely based on the stranding of Tom and Eileen Lonergan by a snorkeling company.
  • The Reef (2010) is inspired by the real-life experience of Ray Boundy, whose boat capsized and who survived a shark attack.

CROCODILIANS:

  • Alligator (1980) is based on the popular urban legend about alligators living in sewers, which in turn was likely inspired by a real event in 1935 involving a group of NYC teenagers who encountered an alligator while shoveling snow.
  • Rogue (2007) is loosely based on the attacks of a large saltwater crocodile named Sweetheart.
  • Primeval (2007) is partially inspired by Gustave, a giant man-eating Nile crocodile from Burundi.
  • Black Water (2007) is based on a 2003 crocodile attack in Australia's Northern Territory.

BEARS:

  • Backcountry (2014) is inspired by the 2005 incident involving Jacqueline Perry and Mark Jordan, who were attacked by a black bear while camping in Ontario, Canada.
  • Cocaine Bear (2023) is based on a black bear who was found dead after ingesting several pounds of cocaine in Georgia in 1985.

EXORCISMS:

  • The Devils (1971) is based on Urbain Grandier, a 17th century priest who was burned at the stake after being convicted of witchcraft, following the events of the so-called "Loudun possessions".
  • The Exorcist (1973), draws inspiration from a 1949 exorcism case involving a young boy with the pseudonym "Roland Doe".
  • The Exorcism of Emily Rose (2005) is fictionalized account of the real exorcism, and resulting death, of Anneliese Michel in 1976.
  • The Rite (2011) is inspired Father Gary Thomas, “one of 14 Vatican-certified exorcists working in the U.S.”
  • *The Possession (2012) originated from an eBay listing for a “dybbuk box” accompanied by a horror story written by its owner, Kevin Mannis.
  • Deliver Us From Evil (2014) is loosely based on the true story of NYPD Sergeant Ralph Sarchie's experiences as a demonologist.
  • The Pope's Exorcist (2023) is inspired by the life of Father Gabriele Amorth, the Vatican's chief exorcist, also drawing inspiration from the case of Emanuela Orlandi, a girl who disappeared in Vatican City.
  • The Ritual (2025) is apparently based on the true story of Emma Schmidt, a woman who underwent exorcism in 1928.

HAUNTINGS:

  • The Amityville Horror (1979) [as well The Haunted (1991), The Haunting In Connecticut (2009), as well as the The Conjuring (2013) franchise - including spin-offs like Annabelle (2014) -- based on a real raggedy Anne doll -- and The Nun (2018)] were all based on actual "paranormal" events involving Ed and Lorraine Warren, who founded the New England Society for Psychic Research (NESPR), in 1952.
  • Child's Play (1988) was loosely based on stories about Robert the Doll, a supposedly vindictive haunted doll on display in Florida.
  • Winchester (2018) based off the real Winchester Mystery House, a historic landmark in San Jose, California, and the residence of the late Sarah Winchester.

REAL-LIFE ODDITIES:

  • A Nightmare on Elm Street (1984) was inspired by a real-life medical mystery involving unexplained deaths among Southeast Asian refugees, particularly Hmong people who had fled Laos after the Vietnam War. These refugees experienced terrifying nightmares and some tragically died in their sleep, leading to the condition being dubbed Sudden Unexpected Nocturnal Death Syndrome (SUNDS).
  • Dead Ringers (1988) was purportedly based on the lives (and mysterious deaths) of Stewart and Cyril Marcus, identical twin gynecologists who practiced together in New York City.

OCCULTISM:

  • The Serpent and the Rainbow (1988) is loosely based on ethnobotanist Wade Davis real experiences in Haiti investigating the story of Clairvius Narcisse, who was allegedly poisoned, buried alive, and revived with an herbal brew which produced what was called a "zombie".
  • Borderland (2007) is loosely based on the life of Adolfo Constanzo, an American-born serial killer and cult leader who lived in Mexico City.

ALIENS:

  • Fire in the Sky (1993) draws from the Travis Walton abduction case.
  • Communion (1989) is based on writer Whitley Strieber's own experiences with alleged alien abduction.

VEHICULAR CRIMES:

  • Stuck (2007) based on the vehicular manslaughter of Gregory Glen Biggs by Chante Jawan Mallard.
  • Hereditary (2018) has a major squence in the film directly inspired by the accidental death of Francis Daniel Brohm due to his DUI friend John Hutcherson.

TRAPPED PLACES:

  • Frozen (2010) is not based on any one event, but it draws inspiration from real-life incidents of people being stranded on ski lifts.
  • 247 Degrees (2011) was based on some people who got stuck in a gradually cooling sauna for 10 hours.
  • 12 Feet Deep (2017) is loosely based on some real-life incidents involving covered pools.
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quixotic: Fandom | Ava's Demon (tumbling down)
The Windmill Lover ([personal profile] quixotic) wrote in [community profile] dwrp_icons2025-07-12 05:44 pm
Entry tags:

THE MEDICINE SELLER > MONONOKE

CANON: Mononoke: Phantom in the Rain
CHARACTERS: The Medicine Seller
ADDITIONAL INFO: 155 icons from the movie
CREDIT TO: [community profile] malagraphic



here @ [community profile] malagraphic
All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 08:30 am

Psychological Horror Recommendations?

Posted by /u/7ustful

when i say psychological horror i mean psychological horror. i want movies that will leave me with a hole in my chest, questioning everything and everyone. i want movies with the wildest plot twists that leave me in shambles, i want to watch something that will convince me i have bugs in my skin (i’ve already watched the perfection dont worry).

bottomline, i want anything that will leave me sitting in my skin.

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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 08:24 am

What’s some tropes you absolutely hate and can’t stand in horror movies?

Posted by /u/penguinlovers0211

for me it’s the protagonist having constant nightmares/ hallucinations! whenever they want to show a character is going through ptsd or in bad mental stat, they always load the movie with them having bad dreams one after another. Scary, wild things happening, protagonist got terrified, next thing they wake up gasping for air, whole body sweating, trembling on their bed.

or they’re at work or at home or in public doing mundane shit then suddenly seeing or hearing hallucinations, and then realizing it’s all in their head.

I get it, they have ptsd, I can tolerate them having one nightmare or one hallucination scene to demonstrate their psychological state, but they always overdo it, like 4-5 repetitive boring scenes in a movie. it adds nothing to the plot and just drags on and on.

JUST CUT THE SHIT ALREADY. I seriously cannot stand that shit in movies in general, not just in horror. it’s so unoriginal and boring.

Another annoying trope is characters or protagonists gate keeping information! Like they know some key information but would just not tell it even if telling them would make the situation so much better.

submitted by /u/penguinlovers0211
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sholio: heart in a cup of tea (Heart)
Sholio ([personal profile] sholio) wrote2025-07-12 12:18 am

Another Murderbot TV fic, Temperature Flash, and Hurt/Comfort-Ex

I wrote another Murderbot 1x10 episode missing scene.

Echoes (gen, 2500 words, Gurathin-centric)
Summary redacted because of spoilers; basically Gurathin's POV on some of the events of the finale.

A few notes on the fic (spoilery for both fic and episode):
under here• I kept tweaking Gura's final line to Murderbot, so it might be a bit different if you read an earlier version. (I felt like I needed to soften it from how it originally was. They are hard to write! Especially keeping their edge when they're so soft in the final scene.)

• We know Murderbot has trouble figuring out what it's feeling, but I also think it's very plausible that Gurathin has the same problem, if not as badly. He's repressed so much for so long. Asking himself to identify exactly what emotions he's feeling is something that some therapist or other taught him to do.

• This is not necessary context for the fic and it's entirely subject to interpretation, but what I was thinking when it wrote it is that Murderbot using "its" for augmented humans in its last line of dialogue to Gurathin is actually MB doing roughly the same thing (except more emotionally positive) that Gurathin is doing in the episode of the show where he's arguing with Mensah and calls it "he" and then corrects himself to "it." It's over-identifying and doesn't even realize that it's doing so; I mean, it's worried about Gurathin, obviously, and that's why it's here, but there's also a certain amount of "we are the same kind of creature" going on here, even though it doesn't realize it's relating to him on that level. It knows that he might have damaged himself with the data overload because it also knows that it might damage itself in a similar way, and he has much less storage to handle it. And it's just kind of subconsciously being concerned about him as it might be concerned about a fellow construct, or itself, having taken damage. Of course neither of them parses all of that consciously.


In other events, Terrible Temperature Troubles Flash Exchange revealed gifts tonight! I got two absolutely delightful gifts - An Official Complaint Against the Universe (Babylon 5, Vir & Londo, hypothermia and h/c) and Consequences of Cold (Biggles, Biggles/EvS, snuggling when chilled). I loved them!

And finally, [community profile] hurtcomfortex author reveals were tonight. I wrote Sleepover (MASH, 1700 words, Margaret POV) with huddling for warmth and light comfort after nightmares.
All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 07:28 am

I need some good horror movie recommendations

Posted by /u/Jp-fan2000

Rather it be Netflix,Max,prime, or any of the big ones I have it I need some good and actually scary movies to watch nowadays most “scary movies” just seem like thrillers or action movies with gore I want a movie that makes me jump,gives me nightmares, and makes me be scared to sleep if anyone has any good ones please let me know

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Smart Bitches, Trashy BooksSmart Bitches, Trashy Books ([syndicated profile] smartbitches_feed) wrote2025-07-12 07:00 am

Whatcha Reading? July 2025, Part One

Posted by Amanda

Ship or luxury white boat lay on sand beach, skyline background. After storm always return sun. Yacht on st.johns beach. Entertainment summer vacation yachting. Boat yacht landed on sand coast.It’s the first Whatcha Reading in July. Here’s how we’re kicking off the month:

Lara: I’ve just started Bald-Faced Liar by Victoria Helen Stone. ( A ) I’m only a chapter or so in, but I’m enjoying it so far. Will report back!

Amanda: I’m happy to report I read four books in a week. WHO AM I?! Most of them have been rather middling dark romances. For a change of pace, I realized I never finished the Girl Meets Duke series by Tessa Dare. I’m going to breeze through books two and three, since I think both will work for bingo categories.

Sarah: Four books? And historicals?!

What have you done with Amanda?

Elyse: I’m back into historicals as well. I think given my anxiety over current events (climate change, healthcare, human rights) I can’t read a contemporary without getting pulled out of it by my brain.

The Retired Assassin’s Guide to Country Gardening
A | BN
I was reading a contemporary where the heroine owned her own small business and my brain was like right but how does she get health insurance and will her rates soar in the next year causing her to close shop and she lives in a small town where there aren’t a lot of employment opportunities to begin with and also …

Sarah: “Not here. Not now.”

Elyse: Which isn’t to say things weren’t shitty in the past.

Sarah: Oh, for sure.

It’s sort of like the “Earl had to die” genre. Fits a lot of different types of books. “Not here. Not now” fits for fantasy, sci-fi, mysteries, etc. I also have let go entirely of the idea that historical romance is anywhere near an accurate representation of the past. To quote Melody from Heaving Bosoms, it’s “Englandtimes.”

Amanda: Actually, I read 5! And one was a re-read. Certainly I’ve been body snatched. I would also make the bad decision of starting a book at 10pm and know I can read pretty quickly, I’d be like, “Well, Kindle says if I keep up my pace, I can be done in an hour and a half.” So most of my books were finished between 10pm-1am.

Elyse: I also think I have reached a point in perimenopause where I can’t read a lot of dark romance because my tolerance for masculine bullshit is at an all time low. Oh he’s stalking you? Hit him with your car. Fuck that guy.

Amanda: Oh that’s so interesting! Because I think the ridiculous, over-the-topness of dark romance feels more like escapist fantasy to me. I noticed that I read those faster when compared to the historicals because everything is taken with a grain of salt.

A Rare Find
A | BN | K | AB
Claudia: I’m slogging through one historical right now that shall remain nameless because it’s not the book, it’s ME.

I just can’t focus right now.

Elyse: Season 2 of The Buccaneers and season 3 of The Gilded Age are out now so that’s also influencing me.

I started a historical where the heroine’s big problem is her boob falls out of her dress at a ball and that is basically the level of conflict I can emotionally handle.

Sarah: I am reading one of the Osman covered mysteries: The Assassin’s Guide to County Gardening

I wasn’t sure if it was going to work but then the assassin told a terrible man what he would do if the terrible man didn’t stop being terrible and I was ON BOARD.

Tara: I listened to The AI Con by Emily M. Bender and Alex Hanna, ( A | BN | K | AB ) which I highly recommend. The whole thing is excellent, but my favourite chapter is the one that explains why AI boosters and AI doomers are two sides of the same marketing hype coin.

I also recently finished A Rare Find by Joanna Lowell, which was very cozy and lovely.

Claudia: I have that last one in my queue. I really like Joanna Lowell’s writing.

Whatcha reading this month? Let us know in the comments!

All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 07:01 am

Most hard to watch non-kill

Posted by /u/LilyWolf958

Saw II Spoilers

Amanda being thrown into the pit of needles. I can watch the most gruesome horrific deaths with a smile on my face but little things like needles or the scene in Black Swan with the hangnail. I just can’t.

(Try not to include names of characters for spoilers)

submitted by /u/LilyWolf958
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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 06:15 am

Anyone know which fangoria had this on a page?

Posted by /u/TranquilDistance

It had to be between 1996-1998. I specifically remember it had ghostface on the page edge (not on cover) somewhere in the magazine, with a text below it that said “I wanna hear you scream”. Anyone know which release this was?

submitted by /u/TranquilDistance
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puddleshark: (Default)
puddleshark ([personal profile] puddleshark) wrote in [community profile] common_nature2025-07-12 07:49 am
All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2025-07-12 05:11 am

Monster empathy

Posted by /u/NoiseExtreme8763

Does anyone else feel bad for monsters / mutants in horror movies?? I know most of the time they have bad intentions and are cruel but my little zoologist heart admires their will and also the talent of the designers to make such a bomb ass creature. Anyways I have a confliction between people and animals but i guess it always comes back to the fact we’re all animals at the end of the day. Even barring fantasy and sci-fi rules we are all creatures and I love the weird and scary spinoffs the horror genre has brought us

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